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Johan Barthold Jongkind Entrance to the Port of Honfleur (Windy Day) (nn02) oil painting


Entrance to the Port of Honfleur (Windy Day) (nn02)
Painting ID::  23145
Johan Barthold Jongkind
Entrance to the Port of Honfleur (Windy Day) (nn02)
1864 Oil on canvas,16 5/8 x 22 1/8'' Louise B.and Frank H.Woods Purchase Fund (in honor of The Art Institute of Chicago's Diamond Jubilee),1968.614 1990 The Art Institute of Chicago All Rights Reserved

   
   
     

Johan Barthold Jongkind The Mass at Maassluis oil painting


The Mass at Maassluis
Painting ID::  34005
Johan Barthold Jongkind
The Mass at Maassluis
mk87 1866 Oil on canvas 33x47cm Le Havre,Musee des Beaux Arts

   
   
     

Johan Barthold Jongkind The Jetty at Honflewr oil painting


The Jetty at Honflewr
Painting ID::  49004
Johan Barthold Jongkind
The Jetty at Honflewr
mk192 1865 33.7x43.2cm

   
   
     

Johan Barthold Jongkind Rue de L-Abbe-de l-Epee and Church oil painting


Rue de L-Abbe-de l-Epee and Church
Painting ID::  54272
Johan Barthold Jongkind
Rue de L-Abbe-de l-Epee and Church
mk235 1872 Oil on canvas

   
   
     

Johan Barthold Jongkind hollandskap oil painting


hollandskap
Painting ID::  67892
Johan Barthold Jongkind
hollandskap
1872 se

   
   
     

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     Johan Barthold Jongkind
     Dutch Impressionist Painter, 1819-1891 was a Dutch painter and printmaker regarded as a forerunner of Impressionism who influenced Claude Monet. Jongkind was born in the town of Lattrop in the Overijssel province of the Netherlands near the border with Germany. Trained at the art academy in The Hague, in 1846 he moved to the Montmartre quarter of Paris, France where he studied under Eugene Isabey and Francois-Edouard Picot. Two years later, the Paris Salon accepted his work for its exhibition, and he received acclaim from critic Charles Baudelaire and later on from Emile Zola. Jongkind was to experience little success, however, and he suffered bouts of depression complicated by alcoholism. Jongkind returned to live in Rotterdam in 1855, and remained there until 1860. Back in Paris, in 1861 he rented a studio on the rue de Chevreuse in Montparnasse where some of his paintings began to show glimpses of the Impressionist style to come. In 1862 he befriended the young Claude Monet who later referred to Jongkind as the "master." The following year Jongkind exhibited at the first Salon des Refus's. Despite several successes, in another of his down periods the Impressionist group did not accept his work for their first exhibition in 1874.

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     | Giovanni Giacometti | Bonifacio de Pitati | ALLORI Cristofano |


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